Item Description
Original Item: Only One Available. This is an original vintage print which was originally a wall calendar produced by Winchester in 1917 but the lower calendar portion was cut away. The art was originally painted by the artist W. R. Leigh. It is printed on old heavy stock aper and was produced by the Winchester Repeating Arms Company of New Haven Connecticut for advertising in 1917.
The print is mounted on a cardboard backing. The print measures approximately 21" x 15" and is in good but worn condition with what appears to be burns at the corners and some fraying of the paper stock at the edges. This does add to the western appeal! The black cardboard mat measures 27.5" x 20".
Another exmaple complete with the calendar sold for $2250 at auction in April 2015, it was complete and in better condition and can be seen at this link.
William Robinson Leigh (September 23, 1866 – March 11, 1955) was an American artist and illustrator, who was known for his painted Western scenes.
William Robinson Leigh was born on September 23, 1866 at Maidstone Manor Farm, Berkeley County, West Virginia. He entered the Maryland Institute for the Promotion of the Mechanic Arts (now known as Maryland Institute College of Art) at age 14, then attended the Royal Academy in Munich. He returned to the United States after twelve years abroad and worked painting cycloramas and as a magazine illustrator. An example is the cover illustration of the August 4, 1904 Leslie's Weekly featuring a policeman "Piloting Children to Safety at a Crowded New York Crossing.
He married twice, and fathered William Colston Leigh, Sr. (1901–1992). His first wife was Anna Seng Leigh, mother of his son, their marriage ended in a divorce sometime before 1906. His second wife was Ethel Traphagen Leigh (1883–1963), was the founder of Traphagen School of Fashion in New York City.
In 1906, Leigh traveled to the American West and maintained a studio in New York City. In 1926 he travelled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience wrote and illustrated Frontiers of Enchantment: An Artist's Adventures in Africa.[5] In 1933, he wrote and illustrated The Western Pony. His adventures were chronicled in a number of popular magazines including Life, the Saturday Evening Post, and Colliers.[1] He is known for painting the Grand Canyon and Yellowstone National Park, but his primary interest were the Hopi and Navajo Indians. In 1953 he was elected into the National Academy of Design as an Associate member and became a full Academician in 1955.
Leigh also made astrobiological art for the March 1908 issue of Cosmopolitan, with four full-page illustrations of an article written by H. G. Wells, "The Things that Live on Mars", which speculated about Martian life. Science fiction writer Edmond Hamilton, born October 1904, described looking and re-looking at the issue as a defining experience in his life. "I wasn't yet able to read it, to read the article, but those pictures!"[8]
After his death, Leigh's New York studio was given to the Gilcrease Museum in Tulsa, Oklahoma.
The print is mounted on a cardboard backing. The print measures approximately 21" x 15" and is in good but worn condition with what appears to be burns at the corners and some fraying of the paper stock at the edges. This does add to the western appeal! The black cardboard mat measures 27.5" x 20".
Another exmaple complete with the calendar sold for $2250 at auction in April 2015, it was complete and in better condition and can be seen at this link.
William Robinson Leigh (September 23, 1866 – March 11, 1955) was an American artist and illustrator, who was known for his painted Western scenes.
William Robinson Leigh was born on September 23, 1866 at Maidstone Manor Farm, Berkeley County, West Virginia. He entered the Maryland Institute for the Promotion of the Mechanic Arts (now known as Maryland Institute College of Art) at age 14, then attended the Royal Academy in Munich. He returned to the United States after twelve years abroad and worked painting cycloramas and as a magazine illustrator. An example is the cover illustration of the August 4, 1904 Leslie's Weekly featuring a policeman "Piloting Children to Safety at a Crowded New York Crossing.
He married twice, and fathered William Colston Leigh, Sr. (1901–1992). His first wife was Anna Seng Leigh, mother of his son, their marriage ended in a divorce sometime before 1906. His second wife was Ethel Traphagen Leigh (1883–1963), was the founder of Traphagen School of Fashion in New York City.
In 1906, Leigh traveled to the American West and maintained a studio in New York City. In 1926 he travelled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience wrote and illustrated Frontiers of Enchantment: An Artist's Adventures in Africa.[5] In 1933, he wrote and illustrated The Western Pony. His adventures were chronicled in a number of popular magazines including Life, the Saturday Evening Post, and Colliers.[1] He is known for painting the Grand Canyon and Yellowstone National Park, but his primary interest were the Hopi and Navajo Indians. In 1953 he was elected into the National Academy of Design as an Associate member and became a full Academician in 1955.
Leigh also made astrobiological art for the March 1908 issue of Cosmopolitan, with four full-page illustrations of an article written by H. G. Wells, "The Things that Live on Mars", which speculated about Martian life. Science fiction writer Edmond Hamilton, born October 1904, described looking and re-looking at the issue as a defining experience in his life. "I wasn't yet able to read it, to read the article, but those pictures!"[8]
After his death, Leigh's New York studio was given to the Gilcrease Museum in Tulsa, Oklahoma.
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